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For three weeks following this visit, he created solely abstract paintings, only to discover that he did indeed prefer sculpture to painting. Word traveled about the inventive artist, and in Calder was given his first solo gallery show at the Weyhe Gallery in New York.
Calder was encouraged to create, and from the age of eight he always had his own workshop wherever the family lived. Calder's earliest attempts at large, outdoor sculptures were also constructed in this decade.
Calder also constructed sets for ballets by both Martha Graham and Eric Satie during the s, and continued to give Cirque Calder performances. Calder converted an icehouse attached to the main house into a studio.
Despite his talents, Calder did not originally set out to become an artist. While visiting Calder's studio about this time, Duchamp was intrigued by these small works. Just a few weeks later, Calder died at the age of seventy-eight, ending the most prolific and innovative artistic career of the twentieth century.
Calder concentrated his efforts primarily on large-scale commissioned works in his later years. Even at age eleven, his facility in handling materials was apparent.
And yet, they are indicative of his early intentions to work on a grand scale. Every piece was small enough to be packed into a large trunk, enabling the artist to carry it with him and hold performances anywhere. Indeed, the Cirque Calder predated performance art by forty years.
He soon began to sculpt from this material many portraits of his friends and public figures of the day. Calder committed to becoming an artist shortly thereafter, and in he moved to New York and enrolled at the Art Students League. With their carved wood elements anchored by wire, the constellations were so-called because they suggested the cosmos, though Calder did not intend that they represent anything in particular. Enlarged from an earlier and smaller stabile, the work was exhibited in a Pierre Matisse Gallery show, Stabiles and Mobiles. This show also included Big Bird, another large work based on a maquette.
Calder's renderings of his circus often lasted about two hours and were quite elaborate. He also took a job illustrating for the National Police Gazette, which sent him to the Ringling Bros.
Calder found he enjoyed working with wire for his circus. As the range and breadth of his various projects and commissions indicate, Calder's artistic talents were renowned worldwide by the s.
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